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Burning Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Godzilla Mini Figure:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Mini Burning Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Heisei Godzilla Mini Figure:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
1995 Burning Godzilla Figure:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Heroclix Burning Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Heroclix Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Godzilla figure:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
2014 Heisei Godzilla Mini Figure:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
2014 Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Heroclix:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Neca Burning Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
NECA Wizkids Heroclix:NECA Wizkids Heroclix
Neca:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Mini Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Year:2014
2014 Burning Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Wizkids Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Theme:Godzilla
Burning Godzilla figure:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
2014 Mini Godzilla:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Country/Region of Manufacture:China
Heisei Godzilla Action Figure:Wizkids, Burning Godzilla, Neca, Heroclix, Heisei
Up for sale is the “2014 Neca Wizkids 1995 Burning Godzilla mini figure” AKA “2014 Neca Wizkids 1995 Heisei Godzilla”. This “Neca Wizkids Heisei Burning Godzilla mini figure” is part of the 2014 Godzilla Blind Bag Series. This “1995 Burning Godzilla figure” measures approximately 2 inches tall and 1 1/2 inches long. This item is brand new and only opened for pictures. These are rare and they are also retired, they will not make anymore in the future. This “Heroclix Godzilla Mini Figure” is brand new and will be shipped with the original bag and box. They were made to coincide the the Release of the “2014 Godzilla Film” and “Godzilla 2014” was the first film to be released under the “Legendary Monsterverse” film series. Please visit our store for more rare Godzilla and other action figures. Thanks for looking..Please visit our store for more rare Godzilla and other action figures. Thanks for looking.. Burning Godzilla” was a brief-yet-popular transformation endured by the king of the monsters in Godzilla vs. Destoroyah. … As Godzilla went into meltdown mode and died, he transferred what remained of this energy into his son, essentially breathing new life into his successor. Godzilla vs. Destoroyah (Japanese: ゴジラＶＳデストロイア, Hepburn: Gojira tai Desutoroia)[a] is a 1995 Japanese kaiju film directed by Takao Okawara. Produced and distributed by Toho Studios, it is the 22nd installment in the Godzilla franchise, and is the seventh and final film in the franchise’s Heisei period. The film features the fictional monster characters Godzilla, Godzilla Junior and Destoroyah, and stars Takuro Tatsumi, Yōko Ishino, Yasufumi Hayashi, Sayaka Osawa, Megumi Odaka, Masahiro Takashima, Momoko Kochi and Akira Nakao, with Kenpachiro Satsuma as Godzilla, Hurricane Ryu as Godzilla Junior, and Ryo Hariya as Destoroyah. In the film, Godzilla’s heart, which acts as a nuclear reactor, is nearing a nuclear meltdown which threatens the Earth. Meanwhile, a colony of mutated creatures known as Destoroyah emerge from the sea, changing form and terrorizing Japan, forcing the Japanese Self-Defense Forces to devise a plan to eliminate both threats. Godzilla vs. Destoroyah received global publicity following an announcement by Toho that the film would feature the death of Godzilla. It was the final film to be scored by composer Akira Ifukube before his death in 2006, though his themes would continue to be used in subsequent films. The film was released theatrically in Japan on December 9, 1995, and received a direct-to-video release in the United States in 1999 by Columbia TriStar Home Video. It was the last Godzilla film to be produced by any studio until the 1998 film, and was the last Godzilla film produced by Toho until the 1999 film Godzilla 2000. Godzilla is a 2014 American monster film directed by Gareth Edwards and written by Max Borenstein, from a story by David Callaham. The film is a reboot of Toho’s Godzilla franchise and is the 30th film in the Godzilla franchise, the first film in Legendary’s MonsterVerse, and the second Godzilla film to be completely produced by a Hollywood studio.[a] The film stars Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, and Bryan Cranston. In the film, a soldier attempts to return to his family while caught in the crossfire of an ancient rivalry between Godzilla and two monsters known as MUTOs. The project began as an IMAX short film in 2004 but was transferred to Legendary in 2009 to be redeveloped as a feature film. The film was officially announced in March 2010 and Edwards was announced as the director in January 2011. Principal photography began in March 2013 in the United States and Canada and ended in July 2013. Godzilla was theatrically released on May 16, 2014 to positive reviews, with criticisms aimed at Godzilla’s screen-time and underdeveloped characters, but praise towards the film’s direction, visual effects, musical score, cinematography, respect to the source material, and Cranston’s performance.[9] The film was a box office success, grossing $529.1 million worldwide. The film’s success prompted Toho to produce a reboot of their own and Legendary to proceed with sequels, with Godzilla: King of the Monsters released on May 31, 2019 and Godzilla vs. Kong to be released in 2020. The MonsterVerse[1] is an American multimedia franchise and shared fictional universe featuring Godzilla, King Kong, and other Toho monster characters. The franchise is produced by Legendary Pictures and co-produced and distributed by Warner Bros. Pictures. The first installment was Godzilla (2014), a reboot[2] of the Godzilla franchise, which was followed by Kong: Skull Island (2017), a reboot[3] of the King Kong franchise, Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021). The franchise received a generally positive reception and has been commercially successful with a combined gross of $1.950 billion worldwide. The franchise will continue with two television series and an untitled Godzilla vs. Kong sequel concurrently in development. Development Writer Max Borenstein stated that the MonsterVerse did not begin as a franchise but as an American reboot of Godzilla. Borenstein credits Legendary Entertainment’s founder and then CEO Thomas Tull as the one responsible for the MonsterVerse, having acquired the rights to Godzilla and negotiated the complicated rights to King Kong. Tull had offered Borenstein the opportunity to write the first draft for Kong: Skull Island, with the goal to establish Kong in the same universe as Legendary’s Godzilla film. Tull’s vision was for the films to one day lead to Godzilla vs. Kong. Legendary confirmed at the July 2014 San Diego Comic-Con International that it had acquired the licensing rights to Mothra, Rodan, and King Ghidorah from Toho and revealed concept footage with the closing title cards reading “Conflict: inevitable. Let them fight”. In September 2015, Legendary announced that the film Kong: Skull Island would not be developed with Universal Studios. Instead, it would be developed with Warner Bros., which sparked media speculation that Godzilla and Kong would appear in a film together. In October 2015, Legendary announced plans to unite Godzilla and Kong in a film titled Godzilla vs. Kong, set for a 2020 release date. Legendary planned to create a shared cinematic franchise “centered around Monarch” (the secret government agency which debuted in 2014’s Godzilla) and that “brings together Godzilla and Legendary’s King Kong in an ecosystem of other giant super-species, both classic and new”. Later in October, it was announced that Kong: Skull Island would have references to Monarch. In May 2016, Warner Bros. announced that Godzilla vs. Kong would be released on May 29, 2020, later pushed back to May 21, 2021, and that Godzilla: King of the Monsters would be pushed back from its original June 8, 2018 release date to March 22, 2019,[10] however, the film was later pushed back again to May 31, 2019. In October 2016, Legendary announced that Godzilla: King of the Monsters would be filmed at its parent company Wanda’s Oriental Movie Metropolis facility in Qingdao, China, along with Pacific Rim: Uprising.That same month, it was revealed that Legendary was planning a writers room to create their Godzilla–Kong cinematic universe, with Alex Garcia overseeing the project for Legendary. In early January 2017, Thomas Tull, founder of Legendary, resigned from the company but would remain as producer for the Godzilla–Kong series, which was revealed as the “MonsterVerse”. In March 2017, Legendary assembled a writers room led by Terry Rossio to develop the story for Godzilla vs. Kong. Legendary’s license to Godzilla expired in 2020. Godzilla (Japanese: ゴジラ, Hepburn: Gojira)[b] is a 1954 Japanese kaiju film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd, it is the first film in the Godzilla franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, and Takashi Shimura, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan’s authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust during post-war Japan. Godzilla entered production after a Japanese-Indonesian co-production collapsed. Tsuburaya originally proposed for a giant octopus before the filmmakers decided on a dinosaur-inspired creature. Godzilla pioneered a form of special effects called suitmation, in which a stunt performer wearing a suit interacts with miniature sets. Principal photography ran 51 days, and special effects photography ran 71 days. Godzilla was theatrically released in Japan on November 3, 1954, and earned ¥183 million in distributor rentals during its original theatrical run. The film initially received mixed reviews in Japan but received reappraise in later years. In 1956, a heavily re-edited “Americanized” version, titled Godzilla, King of the Monsters! was released in the United States. The film spawned a multimedia franchise, being recognized by Guinness World Records as the longest-running film franchise in history. The character Godzilla has since become an international pop culture icon. The film and Tsuburaya have been largely credited for establishing the template for tokusatsu media. Since its release, the film has been regarded as a cinematic achievement and one of the best monster films ever made. The film was followed by Godzilla Raids Again, released on April 24, 1955. Godzilla (Heisei) Godzilla (ゴジラ Gojira) is a kaiju who first appeared in the 1984 Godzilla film The Return of Godzilla. 30 years after the death of the original Godzilla, this Godzilla was awakened by a volcanic eruption at Daikoku Island in 1984, and attacked the Fifth Yahata-Maru. He next made landfall at the Mihama Nuclear Power Plant, where he fed on the plant’s reactor before suddenly departing. Godzilla then appeared in Tokyo Bay and came ashore, easily destroying the JSDF’s forces. After damaging much of the heart of the city and destroying the defense aircraft Super X, Godzilla was lured to Mount Mihara by Dr. Hayashida’s magnetic wave transmitter and sealed in the volcano’s crater by a controlled eruption. Five years later, Godzilla was released from his volcanic prison by explosives following a botched ransoming by the terrorist group Bio-Major. Godzilla battled the Super X2 at sea before arriving at Lake Ashi, where he fought and defeated the plant monster Biollante who was created from his cells. Godzilla moved on to Osaka, where he was successfully infected by the JSDF’s new biological weapon: the Anti-Nuclear Energy Bacteria (ANEB). Godzilla engaged the JSDF again at Wakasa Bay, where they attempted to raise his body temperature so the ANEB could take effect. There, he was attacked by Biollante’s second form and forced to retreat after the ANEB began affecting him. The ocean lowered Godzilla’s body temperature enough to allow him to survive underwater, where he remained in hibernation in the Sea of Japan for two years. In 1992, time-traveling terrorists called the Futurians attempted to erase Godzilla from history by moving a Godzillasaurus from Lagos Island to the Bering Sea in 1944, believing it would prevent the creature from being exposed to the Castle Bravo H-bomb test in 1954. Instead, a nuclear submarine crashed in the dinosaur’s vicinity sometime prior to 1984, mutating it into Godzilla anyway. When the Japanese government, in a misguided attempt to try and recreate Godzilla so he could defeat the Futurians’ pawn King Ghidorah, sent a nuclear submarine to the Bering Sea where they believed the Godzillasaurus was, it was intercepted by Godzilla. Godzilla fed on the submarine’s nuclear energy, revitalizing him and causing him to grow from 80 to 100 meters in height. Godzilla fought and defeated King Ghidorah in Hokkaido, then swiftly turned his wrath on the rest of Japan. Emmy Kano, a defector from the Futurians, traveled to the year 2204 and converted King Ghidorah’s comatose body into Mecha-King Ghidorah, then returned to the present day to engage Godzilla in Tokyo, eventually carrying him out to sea. The following year, Godzilla was awakened by a meteor impact, and appeared off the coast of the Philippines to attack Mothra’s egg as it was being transported. While battling the newly-hatched Mothra, Godzilla was attacked by the larval Battra, with both monsters eventually being swallowed by the Philippine Trench. Godzilla resurfaced from Mount Fuji and approached Yokohama, where the imago Mothra and Battra joined forces to defeat him. In 1994, the United Nations Godzilla Countermeasures Center completed Mechagodzilla, a robot weapon created using components salvaged from Mecha-King Ghidorah. When Godzilla tried to recover BabyGodzilla, an infant Godzillasaurus in the U.N.G.C.C.’s care, Mechagodzilla was deployed to attack him, and nearly killed him before Fire Rodan transferred his life force into Godzilla and revitalized him. Godzilla proceeded to destroy Mechagodzilla and adopt BabyGodzilla as his son, then took up residence with him on Baas Island. After a year, Baas Island was invaded by SpaceGodzilla, an evil extraterrestrial clone of Godzilla himself. SpaceGodzilla captured Godzilla’s son, now larger and known as LittleGodzilla, forcing Godzilla to pursue SpaceGodzilla to Fukuoka. With the help of G-Force’s robot MOGUERA, Godzilla defeated SpaceGodzilla and freed his son. In 1996, uranium deposits under Baas Island ignited, overloading Godzilla with atomic energy and causing him to become Burning Godzilla (バーニングゴジラ Bāningu Gojira). In this state, Godzilla’s nuclear heart threatened to explode and destroy the planet with it. Godzilla was temporarily frozen by the Super X3, successfully bringing his heart’s fission under control, but his heart soon began to break down and overheat instead. Now, he would undergo a catastrophic nuclear meltdown which would destroy the Earth as well. G-Force formed a strategy to lure Godzilla to Tokyo using his son, now grown into Godzilla Junior after the Baas Island explosion, where he would hopefully be killed by the new monster Destoroyah. After Godzilla arrived at Haneda Airport and reunited with his son, Destoroyah attacked them and killed Junior. Godzilla engaged in his final battle against Destoroyah, finally bringing the demon down with the assistance of the JSDF. When Godzilla’s heart finally began to melt down, the JSDF used their freezer weapons to freeze him as he melted down, successfully minimizing the damage. The deadly radiation emitted by Godzilla’s meltdown was subsequently absorbed into Junior’s lifeless body, reviving him and maturing him into the next Godzilla. 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